Self steem Essay Example | Topics and Well Written Essays - 500 words

Self steem - Essay Example Lauren Slater in a difficult situation with Self-Esteem attempts to make an answer with assessment of different scientists’ disputable perspectives. It is applicable to state that there is no normal and sole assessment concerning the connection between's confidence and crimes. Because of David Long much of the time psychological oppressors and outlaws keep a sentiment of incredible disappointment somewhere inside. Along these lines, when guilty parties violate a law, they endeavor to repay own uselessness with an assistance of â€Å"significant† activities, so â€Å"the less certainty you have, the more awful you do† (qtd. in Slater 44). As opposed to that perspective, Nicholas Emler accepts that â€Å"there is positively no proof that low confidence is especially harmful† (qtd. in Slater 44). In addition, there is a supposition that individuals with low confidence improve throughout everyday life and accomplish more than individuals with high confidence. On the one section it truly bodes well. An individual with low confidence will consistently invest more energy, due to his own fantastical failure and shortcoming to accomplish something appropriately. What's more, individual with high confidence will be progressively aloof, dishonestly accepting that the sky is the limit and reachable for him. Be that as it may, then again these models might be investigated in an unexpected way.

Objective Synthesis

In â€Å"HARD BODIES† by â€Å"STUART EWEN† and â€Å"THE SPORTS TABOO† by â€Å"MALCOLM GLADWELL† traces specific games notwithstanding the contrasts between the athletic people and the manners by which they experience extracurricular exercises. The primary article recorded starts by presenting a man named Raymond who is wanting to accomplish the body figure in which he has consistently longed for having. It experiences his day by day exercise in detail in which he achieves in the wake of a difficult day in his office.To accomplish his since a long time ago needed objective, he chips away at parts of his body piece-by-piece, rehearsing redundancy in a room encompassed by full-length mirrors. The creator at that point starts portraying different promotions with pictures of statement on-quote immaculate bodies. The two people present together flaunting their tone and fruition with a light covering of oil. Men for the most part uncover their upper half, as l adies will in general uncover their arms, shoulders and stomach. The creator accepts that these ads experience all the more significance then simply the activity wherein they advertise.They are more to draw in watchers into needing what they see and going through the cash so as to accomplish that specific body figure. In the wake of perusing this article, my psyche took me to recollect numerous notices that I have seen on racks of stores just as rec center enrollment pictures. These figures we see, as they seem conditioned and have flawlessness, are never the crude pictures of these specific people. At the point when a commercial expresses that the peruser should begin another physical preparing so as to accomplish this objective, it incorporates a division of bogus advertising.These pictures of these fabricated people guarantee to have as of late began new exercise propensities when in all actuality these models have kept fit as a fiddle for their entire lives and have turned out t o be every day so as to accomplish their body types. Ladies in the workforce seeing these promotions needing to show up as these more youthful increasingly fit ladies accept they as well, can accomplish such a body in the event that they start another exercise schedule. The last article talks about the worries of standard games, while investigating brain science just as the social personality of an African American athlete.He investigates the subject through different information, examinations and perceptions and catches ends inside his content utilizing style and custom. Charming the racial perspectives on sports in the public eye, writer Malcolm Gladwell appears to endeavor to change the reader’s see on this specific angle all through his wording. He wishes to delineate a reason for race not to remain as a models position in American games, yet rather for the athletic capacity to frame as a main job in such assessments. Over the span of his point by point contention, he pro poses thoughts of balance and nonjudgmental parts of athletic stereotypes.These two specific articles vary from multiple points of view, one being the contrary viewpoints of the self-perception. Given in the main article, Stuart Ewen had a point of view showing the significance of self-perception by recounting to the narrative of the man named Raymond. In the subsequent article, nonetheless, Malcolm Gladwell shows the non-significance. Ewen gives viewpoints from the eyes from Raymond, and his long lasting diary of exercises so as to accomplishing his objective weight and body muscle. Deciphered during that time article by Malcolm Gladwell, he saw a point of view of the viewpoint in difference.His article announced that the race and measure of cash people had could have a state in sports just as who has a place with what classification for each. He doesn't have faith in the generalizations in which individuals make based off race, nor does he put stock in the hypothesis of accomplish ment at sports relying upon cash. What I see as significant about the distinctions of these two feelings just as perspectives on this specific subject is the thinking for every perspective. Maybe the foundation of the creator too, contributing as a factor of the point of view in which their assessment exists.Could the foundation of the creator, Malcolm Gladwell, add to his thinking to the generalizations of sports players? Just as the point of view from Raymond? The creator may likewise have these solid assessments due to their ethnicity or religion, or assessments of their companions and additionally family. I, for one, remain from a comparable perspective as Raymond with the worry of working out and keeping the body as wished. Accomplishing one’s want body type can be of life’s most moving objectives yet. It tells any normal individual that in the event that they endure, they can arrive at their goals.From a comparable perspective, the two creators had a solid convic tion identifying with the significance of a subject relating to sports. One accepted that it is imperative to look the manner in which you need, and to make a solid effort to arrive, while the other referenced the irrelevance of how society today observes numerous generalizations of how certain individuals are intended to assume certain jobs in sports. Numerous comparative individuals stand equally skilled as per each other without thinking. He battles that there is no opposite side to the past explanation. Lyons, Gregory T. Body and Culture. Hard Body. 1950. Print. Lyons, Gregory T. Body and Culture. The Sports Taboo. 1950. Print

Social Support and Physical Activity Corroborating

Running head: HEALTHY AGING IN THE ELDERLY 1 Social Support and Physical Activity Corroborating Healthy Aging and Quality of Life in the Elderly Karen Cauthen Counseling 502-B21 Liberty University Abstract Can bleakness be prevented in the old or is sickness and ailment an unavoidable truth for the matured? Does social help and physical action have an influence in forestalling optional maturing forms? This paper will humbly investigate and talk about the impacts of social cooperations and routine action of the old upon sound maturing and personal satisfaction. Fruitful solid maturing is affected by a sound way of life and is decidedly identified with a diminished mortality hazard and a deferral in wellbeing deterioration† (Merrill, Myklebust, Myklebust, Reynolds, and Duthie, 2008). It isn't the nonappearance of malady or incapacity that qualifies solid maturing, however reaction to the maturing procedure that characterizes personal satisfaction (Gilbert, Hagerty, and Taggert, 2 012). As indicated by Erik Erikson it is the eighth phase of advancement: respectability versus espair (Erikson, Erikson, and Kivnick, 1986); the point in life where the truth of death becomes inescapable and a survey of life decides meaning (Elhman and Ligon, 2012). Social investment and a functioning way of life are acceptable at any age yet for the older it is the spread over the profound dim opening of depression and forlornness. Catchphrases: trustworthiness, despair, action, social, sound maturing, maturing process, bolster Social Support and Physical Activity Corroborating Healthy Aging and Quality of Life in the ElderlyAs we become more established our bodies change, our musings are progressively intelligent, and our companionships increasingly particular. Developing old isn't a cutout procedure. For every individual it is unique. Some stay occupied, while others quit. They step by step end investment in everyday occasions, or they take up yoga, run a long distance race even return to class. Effective maturing is resolved more by mental demeanor than physical capacity; how previous existence is seen and future life accomplished.It is the means by which change is dealt with that decides sound maturing and personal satisfaction in the matured. Developing old is a procedure gerontologist partition in two classes, â€Å"primary aging† and â€Å"secondary aging† (Berger, 2011). Essential maturing is characterized as the widespread changes happening with age that are not brought about by maladies or natural impacts. Optional maturing is characterized as changes including collaborations of essential maturing forms with natural impacts and infection forms (Masoro and Austad, 2006).According to (Berger, 2011) there are three phases of old: â€Å"young-old,† â€Å"healthy, dynamic, monetarily secure and independent;† â€Å"old-old,† albeit still autonomous experience the ill effects of â€Å"reductions in physical or mental ca pacity or social support;† and last, â€Å"oldest-old,† â€Å"infirm, in danger for ailment and injury. † Not liking to utilize the word old, some gerontologist depict four phases of maturing as: â€Å"optimal aging,† â€Å"usual aging,† â€Å"impaired or neurotic aging,† and the fourth, â€Å"successful aging,† (Rowe and Kahn, 1998) â€Å"signifying broad social cooperation and activity† (Berger, 2011).The old will in general measure useful limit by â€Å"their capacity to do, freely, their standard exercises, additionally called the exercises of day by day living† (Brito and Pavarini, 2012). Following quite a while of autonomous living, reliance on somebody to complete ordinary regular capacities can be genuinely and socially crippling, significantly more so than the diseases that made them subordinate. â€Å"Loss, in instrumental exercises of day by day living adds to more prominent alienation from one’s social environmental factors and subsequently to an inclination to be confined in one’s residence† (Brito and Pavarini, 2012).Erik Erikson gave a top to bottom way of thinking in his last eighth phase of improvement: trustworthiness versus despair. This is a period wherein the old want to join their huge encounters with their thoughts of mankind (Erikson, et al, 1986). While despair represents a total loss of expectation, trustworthiness doesn't just mean genuineness, yet in addition â€Å"a sentiment of being entire, not dissipated, OK with oneself† (Berger, 2011). However it is in Erikson’s seventh stage, generativity versus tagnation, we find that â€Å"in more seasoned grown-ups, generativity might be the absolute most significant factor in accomplishing self image trustworthiness (James and Zarrett, 2006) and decidedly impacts prosperity (Yuen, Huang, Burik, and Smith, 2008)† (Elhman and Ligon, 2012). Along these lines, as (Erikson and Erikson, 1997) put it, â€Å"indeed, elderly individuals can and need to keep up a great generative function† (p. 63), and that â€Å"vital involvement†¦is important for remaining extremely alive (p. 63)† (Elhman and Ligon, 2012). TheoriesPeople are multi-dimensional, multi-faceted animals. To lump all of us under one rooftop would be a wrongdoing. Various hypotheses, through research and study, attempt to portray human conduct however nobody such examination is adequate. There are four primary hypotheses concerning the exercises and public activity of the older. Every hypothesis holds truth however not every bit of relevant information. The main, action hypothesis, sees â€Å"older individuals as mentally unchanged† considering â€Å"social and physical obstructions liable for declining paces of social interaction† (Carstensen L.L. , 1992). Action scholars accuse age-related wellbeing and social weights for reason for change in social investment and exercises (Ca rstensen L. L. , 1992). The second, separation hypothesis, propose â€Å"that mature age impels a common withdrawal among society and maturing people† (Carstensen L. L. , 1992). Elaine Cumming and William Earl Henry (Cumming and Henry, 1961) recommend that in anticipation of death withdrawal is showed in a separating in social relationships.As passing drags nearer and nearer what is significant and what isn't is progressively pertinent. What we do, where we do it, and whom we do it with are decisions that proceed with the possibility of autonomy. A third hypothesis proposed by Dr. Laura (Carstensen L. L. , 1992), socioemotional particular hypothesis, counters the supposition by the other two speculations, that these adjustments in social movement are carefully late-life marvels, with the recommendation that these progressions really start prior throughout everyday life. Decreased paces of collaboration in late life are seen as the consequence of long lasting choice procedures by which individuals deliberately and adaptively develop their informal organizations to expand social and passionate gains and limit social and enthusiastic risks† (Carstensen L. L. , 1992). Since so much is gotten from social communication; data, help, self-character, determination of a mate, information on culture and history, segregate and cautious assessment of social accomplices is an unquestionable requirement (Carstensen L. L. , 1992).The fourth, gerotranscendence hypothesis, was created by Lars Tornstam to address a â€Å"perpetual jumble between present speculations in social gerontology and existing observational data† (Tornstam, 2010). Gerotranscendence claims fruitful maturing results from visit scrutinizing thought, a diminishing in realism, and amazing quality of essential maturing forms (Adams and Sanders, 2010). On the side of this hypothesis a Change in Activities and Interest Index (CAII) was made to â€Å"examine exactly the apparent changes that h appen in the lives of more established adults† (Adams and Sanders, 2010).The CAII is a 30-thing examiner streamlined to look at â€Å"self-saw change in interest in and perspectives about social and relaxation leisure activities among more established adults† (Adams and Sanders, 2010). Because of the exploration by Drs. Kathryn Adams and Sara Sanders (Adams and Sanders, 2010) utilizing the CAII, suppliers of human services to the older can all the more likely plan approaches to lift direct commitment in significant, wanted exercises and social relations as they advance inside the maturing procedure. As expressed before, every one of the four speculations hold truth, yet none the entire truth.Each hypothesis depicts certain people yet forgets about others. Since we are a consistently changing species and continually developing populace more investigations are required in understanding the reasons for sound maturing and characterizing personal satisfaction. Sexual orienta tion Studies have demonstrated that in later life various physical advantages, just as, mental advantages are an aftereffect of interest in social movement, â€Å"such as the advancement of joy (Menec, 2003), decrease of the danger of sorrow (Hong, Hasche, and Bowland, 2009), decrease of the decay of engine work (Buchman, et al. 2009), and even decreases in mortality (Lennartsson and Silverstein, 2001)† (Li, Lin, and Chen, 2011). â€Å"Research to date demonstrates that cooperation in social movement applies positive and mental wellbeing impacts among the older and that the example of action investment varies by gender† (Li, et al, 2011). Various investigations and writing report general contrasts in the social exercises of people, however just one examination â€Å"considered sexual orientation issues and social movement among the old (Arber, Perren, and Davidson, 2002).When investigating the results of solid maturing and personal satisfaction with respect to social help and physical action, sex can't be disregarded. Changes happen all through the life expectancy and sex influences social and social relations to these changes. In the development of affiliations and network contacts the unmistakable social settings that people live in lead to disparate practices (Barer, 1994; Carstensen L. L. , 1991). Dr. Kate (Bennett K. M. 1998) did a 8-year longitudinal examination on physical action in the older. The outcomes demonstrated that ladies were bound to possess themselves with indoor exercises (e. g. , housework) and men with outside exercises (e. g. , wal

Performance Management and Organizations Essay Example | Topics and Well Written Essays - 2250 words

Execution Management and Organizations - Essay Example Mullins (2005) fights that associations include 'individuals, destinations, structures' and 'the executives'. Overseeing HR, keeping the investors in agreeability, arranging assets for new undertakings, arranging out promoting procedures are largely parts of the administration which require more than the duplicate book style of the executives. Outside: These are the components on which an association will most likely be unable to apply a lot of its control. These incorporate, the legitimate and political scene winning inside the state/nation of its tasks, number and kinds of contenders, providers in the market, terms and conditions from budgetary foundations, elective items accessible in the market, more up to date mechanical developments and so forth. Tacticians should deal with these components by arranging proper reactions. Worthington (2006) places more noteworthy significance on political improvements happening at various levels - neighborhood, national and universal. Associations resort to vital wanting to deal with these components and Organizations gain so much from that point condition and winning conditions. In any case, the key expectation alone can't be arranged all ahead of time. It must be a ceaseless developmental procedure relying on the encounters. Henry Ford stated, Disappointment is the chance to start again more intelligently1 Organizations also adjust their procedures as per the overarching conditions and the general business situation. Associations and their administration shouldn't enjoy governmental issues and the force game. Be that as it may, the administration is simultaneously required to help the association through the good and bad times of the occasions. Butcher and Clarke (2003) express that 'chiefs regularly appear to battle with their job'. There are times when directors are stood up to with incomprehensible circumstances. Under such conditions, the speculations and important remedy may give off an impression of being deficient for their necessities. Such conditions require some measure of political discernment with respect to the administration. Globalization has in reality given wings to MNCs to investigating more current vistas of business openings, managing more up to date sets of clients and governments. So as to use the economies of scale some MNCs want to re-appropriate their administrations from Europe and US to nations like India, China (Bracken, 2004). This kind of business is brimming with chance as it includes giving over an essential undertaking to individuals who are not even close to the traditions/societies of the association, includes facing political challenges both at home just as in remote terrains. Many political protests have been raised against the re-appropriating choices by certain organizations; as such advances are bringing about an expansion in joblessness in those nations from where these administrations are being redistributed. Then again this progression is bringing about greater work age in the nations which are the re-appropriating goals. Such voices have additionally been 'oversaw' well by the administration of the organizations in redistributing business, which couldn't have been managed without some direct understanding of political mobility. The political foundation is

The Play Must Go West Essay Example For Students

The Play Must Go West Essay Not long after the American Revolution, Americans started their extension toward the west. It was our Manifest Destiny to tame the wilds of the west and grow our country across the nation. Families from all over would stack up their effects and travel to the recently bought lands. Individuals from New York, Philadelphia, Boston and all pieces of the new country carried with them their language, culture and conviction frameworks. Alongside this they likewise brought the theater. It was not long after individuals would start to live in a zone that the venue would flourish. The advancement of the venue in the United States can be followed along indistinguishable courses from the settlement of the west. Starting on the east coast with early states the performance center was conveyed with our progenitors to their new homes in the west. From St. Louise to Kansas City, from Kansas City to California and all parts in the middle. Horace Greeley said Go west youngster and the venue followed. In 1492 Christopher Columbus left Azones out traveling to find a western ocean course to the Orient. After seventy days Columbus made land fall on what he thought was a peripheral segment of Asia. We will compose a custom paper on The Play Must Go West explicitly for you for just $16.38 $13.9/page Request now Columbus would go to his demise accepting he had arrived in Asia, he wasn't right. In spite of the fact that he opened up another world for Europeans to extend their way of life into. (Billington 15) Thought numerous early endeavors where made to settle this new land. Generally finished in a debacle. In 1620 be that as it may, 128 years after Columbus made his bold however mixed up revelation of the new world, the pioneers set out to make a perpetual settlement in America. They put a shore in what is presently considered Massachusetts and framed a flourishing, self represented province. (Billington 57) after 10 years, John Wintrope brings 1000 pilgrim and establishes the city of Boston. Wintropes British settlement had not been in the new world long, in truth not exactly a year, when they found that the Dutch had framed their own close by settlement. The Dutch called their town New Amsterdam. This caused quick rivalry and competition between the settlements. (Billington 60) After a war with the Dutch the city of New Amsterdam came into the ownership of the British Empire and King Charles the Second. Ruler Charles had recently been reestablished to the royal position of England after a since quite a while ago constrained get-away on the terrain of Europe. As a prize to the individuals who bolstered his arrival, he attached New Amsterdam and renamed it New York and gave enormous segments of it to his most faithful supporters. (Billington 67) In the resulting years numerous English pioneer went to the new world setting up towns and urban areas up and down the Atlantic coast line. It is in these towns and urban communities that we see European culture, particularly English culture, being planted in the new world. With this new culture being brought to this new and untamed land it is normal that the types of amusement would likewise not be a long ways behind. The terrains of the new reality where now ripe for the seed of the theater. In 1716 we have records of a venue being worked in Willamsburg Virginia. This is plausible the main auditorium worked in the Americas. While there where plausible plays and some little dramatic creations being done before, this is our first historically speaking record of a structure being worked for this particular reason. (Hornblow) We realize that in New York in 1752, the Hallams played out the Merchant of Venice. We likewise realize that the Hallams utilized an auditorium that was work for use by Murray and Kean who had a troupe who had played out a similar play alongside Richard the III numerous years sooner. (Hornblow) .ucadc97b1add0742d9ef4f4e35f46cc6e , .ucadc97b1add0742d9ef4f4e35f46cc6e .postImageUrl , .ucadc97b1add0742d9ef4f4e35f46cc6e .focused content region { min-tallness: 80px; position: relative; } .ucadc97b1add0742d9ef4f4e35f46cc6e , .ucadc97b1add0742d9ef4f4e35f46cc6e:hover , .ucadc97b1add0742d9ef4f4e35f46cc6e:visited , .ucadc97b1add0742d9ef4f4e35f46cc6e:active { border:0!important; } .ucadc97b1add0742d9ef4f4e35f46cc6e .clearfix:after { content: ; show: table; clear: both; } .ucadc97b1add0742d9ef4f4e35f46cc6e { show: square; progress: foundation shading 250ms; webkit-change: foundation shading 250ms; width: 100%; darkness: 1; change: obscurity 250ms; webkit-change: mistiness 250ms; foundation shading: #95A5A6; } .ucadc97b1add0742d9ef4f4e35f46cc6e:active , .ucadc97b1add0742d9ef4f4e35f46cc6e:hover { haziness: 1; progress: murkiness 250ms; webkit-progress: darkness 250ms; foundation shading: #2C3E50; } .ucadc97b1add0742d9ef4f4e35f46cc6e .focused content zone { width: 100%; position: relative; } .ucadc97b1add0742d9ef4f4e35f46cc6e .ctaText { outskirt base: 0 strong #fff; shading: #2980B9; text dimension: 16px; textual style weight: striking; edge: 0; cushioning: 0; content improvement: underline; } .ucadc97b1add0742d9ef4f4e35f46cc6e .postTitle { shading: #FFFFFF; text dimension: 16px; textual style weight: 600; edge: 0; cushioning: 0; width: 100%; } .ucadc97b1add0742d9ef4f4e35f46cc6e .ctaButton { foundation shading: #7F8C8D!important; shading: #2980B9; fringe: none; outskirt range: 3px; box-shadow: none; text dimension: 14px; textual style weight: intense; line-stature: 26px; moz-outskirt span: 3px; content adjust: focus; content beautification: none; content shadow: none; width: 80px; min-stature: 80px; foundation: url(https://artscolumbia.org/wp-content/modules/intelly-related-posts/resources/pictures/straightforward arrow.png)no-rehash; position: total; right: 0; top: 0; } .ucadc97b1add0742d9ef4f4e35f46cc6e:hover .ctaButton { foundation shading: #34495E!important; } .u cadc97b1add0742d9ef4f4e35f46cc6e .focused content { show: table; stature: 80px; cushioning left: 18px; top: 0; } .ucadc97b1add0742d9ef4f4e35f46cc6e-content { show: table-cell; edge: 0; cushioning: 0; cushioning right: 108px; position: relative; vertical-adjust: center; width: 100%; } .ucadc97b1add0742d9ef4f4e35f46cc6e:after { content: ; show: square; clear: both; } READ: Electrical vitality EssaySo theater came ahead of schedule to the Americas however was contained to the seaside regions much like the settlements where. It would take the development of another nation and an extension of the guests of this new nation to help theater on its western trek over the incredible regions of North America. Brought about by what they accepted was a disintegrations of their regular rights and being administered with out portrayal The provinces in America chose to enjoy a strong move and reprieve their ties with their English bosses. This obviously was not generally welcomed by the King of Engl and and what is known as the American Revolution resulted. In 1775 in Lexington and Concord battling broke out between American Colonist and English Troops. On July 4, 1776, the Second Continental Congress marked a record that had been written by Thomas Jefferson. The report was a Declaration of Independence. While the issue was in no way, shape or form chose and a long war followed, for every single down to earth reason the United States Of America was conceived. (McKay 696) with an end goal to extend the fringes of the United States and to help get European enthusiasm off the landmass. Thomas Jefferson, presently leader of the United States buys from France an immense zone called Louisiana. So on April 30th, 1803 the region of the youngster nation of the United States was dramatically increased. In this domain there where previously settled urban areas and populaces. Urban communities like New Orleans and St. Louise had for quite some time been dynamic exchanging regions for the French and Spanish governments. (Billington 244) These territories immediately got alluring for new relocations of the Americans. Albeit the two urban communities talked almost no English. The quick development of Americans into them caused a requirement for English spoken amusement. In New Orleans there where French talking theaters as right on time as 1809 however there had never been any English language plays performed. A man named Noah Ludlow with the assistance of certain entertainers from the Turner organization chose to go to New Orleans and perform. They had been informed that there was a huge English talking populace there now and they where deprived to spend their cash on English talking plays. This is all that Ludlow required. Albeit a portion of his accomplices dissented and left the troupe, Ludlow with numerous others withdrew from Nashville on Oct. 0th 1917. (Hornblow) They went down the Ohio waterway to the Mississippi They showed up in Natches a few days after the fact and upon the request of the nearby movers and shakers performed one of their plays. The Honeymoon was the primary play to ever be acted in Natches. The troupe remained for a couple of days yet then proceeded with their movements to New Orleans. On Dec. 24th 1817 Ludlow and his trouped opened their performance center in New Orleans with the plays The Honeymoon and a sham called The Hotel, or a worker with two bosses. The auditorium was known as the St. Philip since it was on St. Phillips St. The endeavor was a gigantic accomplishment before Ludlow chose to return to Nashville for different undertakings. (Hornblow) It is just fitting that the man who carried theater to the Louisiana region be the person who carries it to St. Louis. Noah Ludlow concluded that the little city of St. Louis was ready for his theater troupe. With a populace of nearly 4000 St. Louis had never observed an expert exhibition of a play. There where a few beginners acting in the region and in their performance center is the place ludlow chose to set up. (Hornblow) On Nov twentieth 1819, Ludlow and his troupe boarded a bottom pontoon in Nashville and began his excursion to St. Louis. This excursion was significantly more troublesome than the one to New Orleans for some portion of the outing was up current on the Mississippi. They needed to go by a method called Cordelling. This involved men with ropes pulling the vessels up the waterway. At long last showing up in St. Mite Ludlows troupe acted in mid December 1819. They indeed played out the play The Honeymoon. (Hornblow) Theater had now extended toward the western shores of the Mississippi. .u673

How to Forget a Bad Memory

How to Forget a Bad Memory Social Anxiety Disorder Treatment and Therapy Social Skills Print How to Forget a Bad Memory By Arlin Cuncic Arlin Cuncic, MA, is the author of Therapy in Focus: What to Expect from CBT for Social Anxiety Disorder and 7 Weeks to Reduce Anxiety. Learn about our editorial policy Arlin Cuncic Medically reviewed by Medically reviewed by Steven Gans, MD on April 20, 2018 Steven Gans, MD is board-certified in psychiatry and is an active supervisor, teacher, and mentor at Massachusetts General Hospital. Learn about our Medical Review Board Steven Gans, MD Updated on August 13, 2019 stock_colors/iStock More in Social Anxiety Disorder Treatment and Therapy Social Skills Symptoms Diagnosis Coping Work and School Related Conditions Memories that are negative tend to stay with us. This can be particularly true if you live with social anxiety disorder (SAD), but even if you dont, theres a good chance youve dealt with lingering bad memories at some point in your life. You may find yourself cringing over something that happened weeks, months, or even years ago, as though you were still in the situation and can feel the shame. Indeed, a 2016 study in the  Journal of Behavioral Therapy and Experimental Psychiatry  showed that people with SAD tended to view negative social memories as central to their identity. New research is beginning to shed light on the process through which negative memories may contribute to your fear and anxiety. Studies indicate that certain hormones, areas of the brain, and genes may be responsible. Negative Social Memories You may have a hard time trying to forget a bad memory, whether or not you have SAD. It may feel as though youve built up a memory bank filled with all of the situations you remember as being shameful and embarrassing. While the specific memories that stick with you will vary from person to person, some examples include the following. These might be subjective, such that only you would see the negative aspect of the situation or they could be overtly traumatizing, such as being the object of ridicule: Making a mistake in a social situation, such as calling someone by the wrong nameFreezing during a performance situationBeing rejected by someone, particularly in a romantic relationshipBelieving that others were aware of your anxious symptoms, such as shaking hands or blushingBeing bullied or made fun of by your peers After these types of events, when you recall them, you might say things to yourself such as: Why did I say/do that?Im so embarrassingWhy cant I interact easily with others? In essence, you keep reliving those embarrassing memories and it may feel as though you cant shut off your brain. Oxytocin and Bad Memories While the hormone oxytocin has generally been heralded as having a positive influence in social situations, recent research has pointed to its potential to embed negative social memories in those with social anxiety disorder. In this way, oxytocin may have the effect of causing emotional pain and could be the reason that stressful social situations stay with us long after the original eventâ€"and may even trigger future anxiety and fear. In a study published in the journal  Nature Neuroscience  in 2013, mice  with varying levels of oxytocin receptors (no receptors, increased receptors, normal level of receptors) in the brain were studied to examine the effects of fear and anxiety. In the first experiment, the mice were placed in a situation with aggressive mice in which they experienced social defeat, creating a stressful social situation. The mice who were missing the oxytocin receptors would not have had any oxytocin enter their brains. Six hours later, the researchers put the mice back with the aggressive mice. What they found was that the mice with no receptors showed no signs of fear. The mice with extra receptors show increased levels of fear. Finally, the mice with normal amounts of receptors showed a typical level of fear. In a second experiment, the researchers were able to show that oxytocin in a stressful social situation could even transfer fear into a situation that followed itâ€"in the case of the mice this was an electric shock. Again, the mice without receptors showed no signs or remembering to be afraid of the electric shock. In contrast, a study discussed in Scientific American  administered oxytocin into the noses of men. First, these men were shown a neutral stimulus (pictures of faces and houses) that were sometimes paired with an electric shock. Then, subjects either received a single dose of oxytocin or a placebo. Then, they underwent fear of extinction therapy while receiving MRI scans.  They were once again shown the photos, but without the pairing of the electric shock. What they found was that the subjects who received the oxytocin had increased activity in the prefrontal cortex (for controlling fear) and decreased responsiveness in the amygdala when shown the images. This suggested that a single dose of oxytocin was effective to enhance the use of extinction-based therapy for fear and anxiety. While these results (mice vs. men) may seem contradictory, this could relate to the timing of the oxytocin dose. Had the men who received oxytocin received it at the same time as the electric shock, would the memory of the shock have stuck with them longer? The answer to this issue is not clear. Oxytocin and Social Fears What does this research tell us about our own fear, anxiety, and their relation to bad memories? It appears that oxytocin may strengthen social memories in the brain (specifically, in the lateral septum), or have the effect of intensification or amplification. This is important since chronic social stress is known to cause anxiety and depression. This effect seems to also last a long timeâ€"at least six hours. This type of research also suggests that just as social anxiety appears to have a genetic component, it follows that your brains ability to access oxytocin might relate to how well you encode bad memories in social situations, such that they may make you afraid in the future. What to Do After a Bad Social Experience If past negative social events play a central role in social anxiety disorder, it makes sense that the elimination of memories of these events would help to lessen your anxiety: If you tend to have flashbacks or cringe attacks about shameful situations from the past, it may be helpful to keep a journal in which you record happy or positive events as well. Anytime you remember a negative memory, try to follow it up with a positive one.In response to flashbacks, you could also have a few phrases that you repeat to yourself, such as that event does not define me.You could also try to practice mindfulness when memories come back to you. Instead of allowing yourself to become engrossed in the memory, try bringing your attention to something in the present moment such as a sight or smell.If you still struggle, try employing a cognitive-behavioral approach, and ask yourself, Does anybody other than me really remember that situation or think about it?Finally, if you find yourself falling victim to the need to be perfect, and your memories center around times you have made mistakes, try making mistakes and doing things wrong on purpose. In time, if you are out there seeking to embarrass yourself, memories of those situations will have a different flavor. Tell yourself that you deserve social acceptance now, at the moment, rather than at some future time when you have become the perfect person.Above all else, dont use negative strategies to forget bad memories, such as abusing drugs or alcohol. Gene Variations and Bad Memories Wouldnt it be wonderful to completely erase all of your negative memories? While that might sound like science fiction, modern medicine may be closer to making it happen than you realize. Research has shown that a brain-derived neurotrophic factor (BDNF) gene variation is related to fear generation. BDNF gene therapy could be used in the future, by altering genes that contribute to fear and anxiety. In the same way, the Tac2 gene pathway has been shown to reduce the storage of traumatic memories. As a result, a medication that blocks the activity of this pathway could prevent the storage of traumatic memories in the first place. While this would be most useful for posttraumatic stress disorder (PTSD), this type of research may also eventually inform negative memories in social anxiety disorder. Dont worry thoughâ€"those bad memories are not erased for good. They are still stored somewhere but are no longer accessible. A Word From Verywell Are you haunted by memories of mistakes youve made in the past? While thinking back on past mistakes is normal, dwelling on them to the point that they cause intense fear and anxiety in the present is not. If you live with social anxiety disorder or believe that you may have symptoms of this problem, it is important to consult with your doctor. In particular, meeting with a therapist who specializes in SAD may be helpful to generate strategies to better cope with these negative memories.

The Daemon Lover Shirley Jackson and the Articulation of Ambiguity - Literature Essay Samples

Shirley Jackson’s short story â€Å"The Daemon Lover† is nowhere near as omnipresent in the American zeitgeist as her cautionary tale about conformity taken to its ridiculous extreme, â€Å"The Lottery.† Nevertheless, in its own modest fashion, â€Å"The Daemon Lover† is the equal of its more famous sister story in terms of revealing how Shirley Jackson remains one of the foremost—and most prescient—critics of patriarchal victimization of the female in American society through her singularly impressive talent for articulating the potential for multiple truths to exist in the shadows of ambiguity. The central female figure in â€Å"The Daemon Lover† is one instantly recognizable from a lifetime worth of watching American television; and not just watching the Lifetime Channel. She is in her early 30s, is not particularly beautiful or particularly unattractive and lives a life coincident with her looks: ordinary. Perfectly ordinary. Her nervous preparations for the day ahead in which a young man of interest is at the center is almost worn brittle with its very ordinariness: â€Å"Anxiously she pulled through the dress in the closet, and hesitated over a print she had worn the summer before; it was too young for her and it had a ruffled neck, and it was very early in the year for a print dress, but still†¦Ã¢â‚¬  This prosaic description of a woman defined by her mundane existence serves to intensify the unexpected quality of her tale when this typical American woman finds that a tall and handsome man has taken note of whatever extraordinary attributes she possesses that has gone unnoticed by the rest of the world. What does sound like a story that may be the first act of a Lifetime Channel movie appears to go according to a stock template even this young man’s shocking entry into her commonplace little life results in an equally surprising sudden exit. Even the woman’s reaction seems almost quaintly predictable as she sits in self-imposed solitary confinement wearing that questionably inappropriate print dress while â€Å"she was sitting by the window drinking another cup of coffee† while internal debates rages inside over the final fashion decision: â€Å"I could have taken more time over my dressing after all, she thought; but by now he was so late he might come any minute, and she did not dare try to repair anything without starting all over.† Eventually, rumination gives way to hysteria at the idea that with the loss of this dream man also comes the loss of all her most image-driven dreams of happily ever after. And yet, Shirley Jackson is no hack TV writer and â€Å"The Daemon Lover† has much bigger fish to fry than what can be easily digested in a soap opera presentation. Keep in mind that this man whom the heroine does admittedly go mental over is basically a phantom. Precious little information is known about him even by the end of the story other than the most elemental of essentials: â€Å"He’s rather tall, and fair. He wears a blue suit very often. He’s a writer.† The narrative constituent that allows â€Å"The Daemon Lover† to transcend its seeming mundane melodramatic narrative is the reaction from those she turns toward for answers and the universal emotional response they display toward her predicament which sows the seeds of ambiguity rather than any absolute truth. â€Å"You got the wrong house, lady, or the wrong guy,† â€Å"Now how many men in blue suits go past here every day, lady? You think I got nothing to do but—â€Å" â€Å"Madam. Really, you must realize that unless I have something to go on. I simply can’t.† And that’s how it goes with each person she reaches out to for help in tracking down the elusive tall writer in the blue suit. â€Å"Going on up the street she thought, Everyone thinks it’s so funny: and she pulled her coat tighter around her, so that only the ruffle around the bottom of the print dress was showing.† Yes, truly, everyone’s reaction is slightly off so that not it is not just a question of thinking the whole situation is funny funny, but also funny sad or funny tragic or funny crazy. She must be crazy somehow and, more likely than not, this Jamie Harris she is desperately looking for never existed except in her imagination. The levels at which Jackson is working her literary magic goes deep. On one level, she has created a very strange and maddening version of Frankenstein: Jamie Harris is very much a creature fashioned from the mind of her protagonist since she appears to be the only one whose description of Jamie fits her description of Jamie. On another level, Jackson has created a sublime and acutely subtle portrayal of repressed sexuality breaking from its chains in the woman’s subconscious and clawing its way into not only her own consciousness, but the consciousness of those around her. Still another way of interpreting what Jackson might be after here takes the idea of repression into another dimension entirely: on the verge of actually getting to live out the happily ever after, it is the bride who has taken a powder, not the groom. Only in her case, her disappearance is from reality, not the physical manifestations of reality one refers to as their life. The real mystery awaiting the reader at the conclusion of â€Å"The Daemon Lover† is not just whether Jamie Harris is the one making noises inside that apartment, but whether Jamie Harris ever existed at all. What elevates Jackson’s story to the sphere of art is that answering the questions it leaves open is utterly beside the point. Is the woman insane? Is Jamie Harris a demonically cruel lover? Is he in the apartment or has she gone bats in the belfry? Any and all of these things may be true or not, but Jackson clearly had no interest in providing any tangible clues to guide the reader one way or the other. The bigger fish that Jackson has to fry deal with the nature of ambiguity in fiction and in life. If a reader chooses to close the story on the firm belief that the woman has been made totally bonkers by a real man without much more character than his description, that is a perfectly reasonable interpretation. If a reader wants to assume that this woman was nuts from the start and this is the reason she can offer no better description of him than tall, handsome and wearing a blue suit, well, that seems perfectly reasonable as well. Both are potentially cogent truths. Neither are absolute truths. The ambiguous nature of the tale is central to its form, structure and narrative. Jackson provides only enough information about the woman’s hysterical reaction to being jilted on her wedding day to make multiple interpretations logical and coherent. â€Å"The Daemon Lover† thus becomes a lesson in the art of articulating truth in fiction through ambiguity. The low voices and laughter that the woman swears she hears in the apartment as the story draws to a close suggests that Jackson’s interest in creating a masterpiece of ambiguity may have more than a little to do with her own corrosive critique of a society too eager to view women as hysterical simply for demanding a reasonable explanation.

How to Conjugate the Verb Potere in Italian

Potere, an irregular verb of the second conjugation, translates to the English to be able to. Without getting into the pesky grammatical English-language quibbles about may and can, potere encompasses both: to have (or not have) the ability, the freedom, the capacity to do something. Together with volere and dovere, potere comprises the triumvirate of Italian helping verbs, called in Italian verbi servili, or modal verbs: to be able to (to have power), to want (to have will or volition), and to have to (to have duty, necessity—in other words, must). Modal: Transitive or Intransitive Potere is a transitive verb, so it takes a direct object in the form of another verb. Since it is a helping or modal verb, helping to express other verbs in different modes, in compound tenses it takes the auxiliary verb required by the verb it is helping. For example, if you couple potere with andare, which is an intransitive verb that takes essere, in the compund tenses potere takes essere; if you couple potere with mangiare, which is transitive and takes avere, potere, in that case, takes avere. Remember your ground rules for choosing the right auxiliary: it is a case-by-case choice, depending on the sentence and the use of the verb. If you use potere with a reflexive verb, it takes essere. Its participio passato is regular, potuto. Non sono potuta andare a scuola. I was not able to go to school.Non ho potuto mangiare. I was not able to eat.Non mi sono potuta lavare stamattina. I was not able to shower this morning. Impediment or Forbiddance You use potere in Italian much like you do to be able to in English: to ask for permission to do something and, in the negative, to express an impediment or a forbiddance—I cant come today; I cant understand why you act this way. In terms of why one can or cannot do something, certainly, like in English, potere is a rather broad and vague term. If you say, Paolo non puà ² uscire (Paolo cannot go out), we dont know why, if hes not able, if hes indisposed, or forbidden from going out. Potere vs. Essere Capace If you say in English that Betsy cannot speak Italian, in Italian you might want to say, Betsy non sa parlare italiano; in other words, she is not forbidden from speaking Italian, nor does she have a physical barrier to speaking Italian: She simply does not know how. Also, essere capace di something—to be capable of or able—can be, in some cases, a better option than potere. With Pronouns In constructions with direct and indirect object pronouns and combined pronouns, the pronouns can go before either verb or attached to the infinitive that potere is supporting: Potete aiutarmi or mi potete aiutare; lo posso prendere or posso prenderlo; glielo potete dare or potete darglielo. But, note, in some modes it can be tricky. In the infinitive: poterglielo dire or potere dirglielo; averglielo potuto dire or avere potuto dirglielo (less common). In the gerund: potendoglielo dare or potendo darglielo; avendo potuto dirglielo or avendoglielo potuto dire. There is no imperative in potere. The tables below include examples of potere with both essere and avere. Indicativo Presente: Present Indicative An irregular presente. Io posso Non posso dormire. I can't sleep. Tu puoi Mi puoi aiutare per favore? Can/would you help me? Lei, lei, Lei puà ² Luca non puà ² uscire. Luca can't go out. Noi possiamo Possiamo visitare il museo? May we visit the museum? Voi potete Potete sedervi. You may sit. Loro, Loro possono I bambini possono leggere adesso. The children may read now. Indicativo Passato Prossimo: Indicative Present Perfect Il passato prossimo, made of the present of the auxiliary avere or essere, and the past participle. Io ho potuto/sono potuto/a Non ho potuto dormire stanotte. I was not able to/couldn't sleep last night. Tu hai potuto/sei potuto/a Ieri mi hai potuto aiutare, grazie. You were able to help me yesterday, thank you. Lui, lei, Lei ha potuto/à ¨ potuto/a Luca non à ¨ potuto uscire ieri. Luca couldn't go out yesterday. Noi abbiamo potuto/siamo potuti/e Abbiamo potuto visitare il museo ieri. We were able to see the museum yesterday. Voi avete potuto/siete potuti/e Vi siete potuti sedere al teatro? Were you able to sit at the theater? Loro, Loro hanno potuto/sono potuti/e I bambini non hanno potuto leggere ieri perchà © non avevano i libri. The children were not able to read because they didn't have their books. Indicativo Imperfetto: Imperfect Indicative A regular imperfetto. Io potevo Da bambina non potevo mai dormire nel pomeriggio. As a little girl I could never sleep in the afternoon. Tu potevi Perchà © non potevi aiutarmi ieri? Why couldn't you help me yesterday? Lui, lei, Lei poteva Da ragazzo Luca non poteva mai uscire la sera. As a boy, Luca could never go out in the evening. Noi potevamo Ieri potevamo visitare il museo ma non avevamo voglia. Yesterday we could visit the museum but we didn't feel like it. Voi potevate Perchà © non potevate sedervi al teatro? Why couldn't you sit at the theater? Loro, Loro potevano I bambini non potevano leggere ieri perchà © non avevano i libri. The children couldn't/were not able to read yesterday because they didn't have their books. Indicativo Passato Remoto: Remote Past Indicative An irregular passato remoto. Io potei Non potei dormire quella notte. I couldn't sleep that night. Tu potesti Non mi potesti aiutare quel giorno, dunque lo chiesi a Giovanni. You couldn't help that day, so I asked Giovanni. Lui, lei, Lei potà © Luca non potà © uscire quella sera. Luca was not able to go out that night. Noi potemmo Non potemmo visitare il museo quella volta. We were not able to visit the museum that time. Voi poteste Non poteste sedervi al teatro e tornaste stanchi. You were not able to sit at the theater. Loro, Loro poterono I bambini non poterono leggere perchà © non avevano i libri. The children were not able to read because they didn't have their books. Indicativo Trapassato Prossimo: Past Perfect Indicative A regular trapassato prossimo, made of the imperfetto of the auxiliary and the past participle. Io avevo potuto/ero potuto/a Non avevo potuto dormire e dunque ero stanca. I had not been able to sleep and therefore I was tired. Tu avevi potuto/eri potuto/a Non capivo perchà © non mi avevi potuto aiutare. I couldn't understand why you had not been able to help me. Lui, lei, Lei aveva potuto/era potuto/a Luca non era mai potuto uscire la sera. Luca had never been able to go out in the evening. Noi avevamo potuto/eravamo potuti/e Non avevamo potuto visitare il museo ed eravamo delusi. We had not been able to visit the museum and we were disappointed. Voi avevate potuto/eravate potuti/e Non vi eravate potuti sedere e dunque eravate stanchi. You had not been able to sit and therefore you were tired. Loro avevano potuto/erano potuti/e I bambini non avevano potuto leggere e dunque erano delusi. The children had not been able to read and therefore they were disappointed. Indicativo Trapassato Remoto: Preterite Perfect Indicative A regular trapassato remoto, a remote literary and storytelling tense, made of the passato remoto of the auxiliary and the past participle. Io ebbi potuto/fui potuto/a Dopo che non ebbi potuto dormire per tanto tempo, mi addormentai come un ghiro. After I had not been able to sleep for so long, I feel asleep like a dormouse. Tu avesti potuto/fosti potuto/a Dopo che non mi avesti potuto aiutare, lo chiesi a Giovanni. After you had not been able to help me, I asked Giovanni. Lui, lei, Lei ebbe potuto/fu potuto/a Dopo che Luca non fu potuto uscire per tanto tempo, finalmente scappà ². After Luca had not been able to go out for so long, he finally ran away. Noi avemmo potuto/fummo potuti/e Appena che avemmo potuto visitare il museo, partimmo. As soon as we were able to visit the museum, the left. Voi aveste potuto/foste potuti/e Dopo che non vi foste potuti sedere al teatro, vi accasciaste nel letto. After you had not been able to sit at the theater, you crumbled in the bed. Loro, Loro ebbero potuto/furono potuti/e Appena che i bambini ebbero potuto leggere finalmente, lessero pagina dopo pagina. As soon as the children were able to read finally, they read page after page. Indicativo Futuro Semplice: Simple Future Indicative An irregular futuro semplice. Io potrà ² Forse stanotte potrà ² dormire. Maybe tonight I will be able to sleep. Tu potrai Domani mi potrai aiutare Tomorrow you will be able to help me. Lui, lei, Lei potrà   Luca domani non potrà   uscire. Luca tomorrow will not be able to go out. Noi potremo Domani non potremo visitare il museo perchà © sarà   chiuso. Tomorrow we will not be able to visit the museum because it will be closed. Voi potrete Potrete sedervi al teatro. You will be able to sit in the theater. Loro potranno I bambini potranno leggere a scuola. The children will be able to read at school. Indicativo Futuro Anteriore: Future Perfect Indicative A regular futuro anteriore, made of the futuro semplice of the auxiliary and the past participle. Io avrà ² potuto/sarà ² potuto/a Se avrà ² potuto dormire, mi alzerà ² presto. If I will have been able to sleep, I will get up early. Tu avrai potuto/sarai potuto/a Se mi avrai potuto aiutare, domani avrà ² finito il progetto. If you will have been able to help me, tomorrow I will have finished the project. Lui, lei, Lei avrà   potuto/sarà   potuto/a Se Luca sarà   potuto uscire, domani sera saremo in discoteca. If Luca will have been able to go out, tomorrow night we will be at the disco. Noi avremo potuto/saremo potuti/e Se avremo potuto visitare il museo domani saremo appagati. If we will have been able to visit the museum, tomorrow we will be satisfied. Voi avrete potuto/sarete potuti/e Se vi sarete potuti sedere al teatro sarete meno stanchi domani. If you will have been able to sit at the theater, tomorrow you will be less tired. Loro, Loro avranno potuto/saranno potuti/e Se i bambini avranno potuto leggere saranno contenti. If the children will have been able to read, they will be happy. Congiuntivo Presente: Present Subjunctive An irregular congiuntivo presente. Che io possa Sono felice che io possa dormire. I am happy that I can sleep. Che tu possa Sono felice che tu mi possa aiutare. I am happy that you can help me. Che lui, lei, Lei possa Mi dispiace che Luca non possa uscire. I am sorry that Luca cannot go out. Che noi possiamo Mi dispiace che non possiamo visitare il museo. I am sorry that we cannot visit the museum. Che voi possiate Spero che vi possiate sedere. I hope that you can sit. Che loro, Loro possano Spero che i bambini possano leggere. I hope that the children can read. Congiuntivo Passato: Present Perfect Subjunctive A regular congiuntivo passato, made of the present subjunctive of the auxiliary and the past participle. Che io abbia potuto/sia potuto/a Sono felice che io abbia potuto dormire. I am happy that I was able to sleep. Che tu abbia potuto/sia potuto/a Sono felice che tu mi abbia potuto aiutare. I am happy that you were able to help me. Che lui, lei, Lei abbia potuto/sia potuto/a Sono dispiaciuta che Luca non sia potuto uscire. I am sorry that Luca couldn't go out. Che noi abbiamo potuto/siamo potuti/e Sono appagata che abbiamo potuto visitare il museo. I am satisfied that we were able to see the museum. Che voi abbiate potuto/siate potuti/e Spero che vi siate potuti sedere. I hope that you were able to sit. Che loro, Loro abbiano potuto/siate potuti/e Spero che i bambini abbiano potuto leggere. I hope that the children were able to read. Congiuntivo Imperfetto: Imperfect Subjunctive A regular congiuntivo imperfetto. Che io potessi Sarei contenta se potessi dormire. I would be happy if I could sleep. Che tu potessi Vorrei che tu mi potessi aiutare. I wish that you could help me. Che lui, lei, Lei potesse Vorrei che Luca potesse uscire. I wish that Luca could go out. Che noi potessimo Vorrei che potessimo vedere il museo. I wish that we could see the museum. Che voi poteste Sarei felice se vi poteste sedere. I would be happy if you could sit. Che loro, Loro potessero Sarei felice se i bambini potessero leggere un po' oggi. I would be happy if the children could read a little today. Congiuntivo Trapassato: Past Perfect Subjunctive A regular congiuntivo trapassato, made of the imperfetto of the auxiliary and the past participle. Che io avessi potuto/fossi potuto/a Vorrei che avessi potuto dormire. Wish that I had been able to sleep. Che tu avessi potuto/fossi potuto/a Speravo che tu mi avessi potuto aiutare. I had hoped that you would be able to help me. Che lui, lei, Lei avesse potuto/fosse potuto/a Vorrei che Luca fosse potuto uscire. I wish that Luca had been able to go out. Che noi avessimo potuto/fossimo potuti/e Avrei voluto che avessimo potuto visitare il museo. I wished that we had been able to visit the museum. Che voi aveste potuto/foste potuti/e Vorrei che vi foste potuti sedere. I wish that you had been able to sit. Che loro, Loro avessero potuto/fossero potuti/e Speravo che i bambini avessero potuto leggere un po' oggi. I hoped that the children had been able to read. Condizionale Presente: Present Conditional A very irregular condizionale presente. Io potrei Potrei dormire se ci fosse meno rumore. I could sleep if there were less noise. Tu potresti Potresti aiutarmi domani? Could you help me tomorrow? Lui, lei, Lei potrebbe Luca potrebbe uscire se suo padre fosse meno severo. Luca could go out if his father were less severe. Noi potremmo Potremmo visitare il museo domani. We could visit the museum tomorrow. Voi potreste Potreste sedervi se voleste. You could sit if you wanted to. Loro, Loro potrebbero I bambini potrebbero leggere se avessero dei libri. The children could read if they had some books. Condizionale Passato: Perfect Conditional The condizionale passato, made of the conditional present of the auxiliary and the past participle. Io avrei potuto/saresti potuto/a Avrei potuto dormire se ci fosse stato meno rumore. I would have been able to sleep had there been less noise. Tu avresti potuto/saresti potuto/a Mi avresti potuto aiutare se tu avessi avuto voglia. You would have been able to help me had you felt like it. Lui, lei, Lei avrebbe potuto/sarebbe potuto/a Luca sarebbe potuto uscire se i suoi genitori fossero meno severi. Luca would have been able to go out if his parents were less strict. Noi avremmo potuto/saremmo potuti/e Avremmo potuto visitare il museo se avessimo avuto il tempo. We could have visited the museum if we had had the time. Voi avreste potuto/sareste potuti/e Vi sareste potuti sedere se il teatro fosse stato meno affollato. You could have sat had the theater been less crowded. Loro, Loro avrebbero potuto/sarebbero potuti/e I bambini avrebbero potuto leggere a scuola se avessero portato il libri. The children would have been able to read at school had they brought their books. Infinito Presente Passato: Infinitive Present Past The infinito, potere, is used widely as a noun: power. Potere 1. Il loro potere à ¨ immenso. 2. Mi dà   gioia poterti vedere. 1. Their power is immense. 2. It gives me joy to be able to see you. Avere potuto Avere potuto viaggiare à ¨ stata una fortuna. Having been able to travel has been a blessing. Essere potuto/a/i/e Essermi potuta riposare mi ha fatto sentire meglio. Having been able to rest made me feel better. Participio Presente Passato: Present Past Participle The participio presente, potente, means powerful or potent and is widely used both as a noun and an adjective. The past participle potuto does not have use outside of the auxiliary function. Potente 1. Marco à ¨ un uomo potente. 2. Tutti vogliono fare i potenti. 2. Marco is a powerful man. 2. Everyone want to play powerful. Potuto Non ho potuto visitare il museo. I was not able to visit the museum. Potuto/a/i/e Non sono potuta venire. I was not able to come. Gerundio Presente Passato: Present Past Gerund The gerund, an important tense in Italian. Potendo Potendoti aiutare, l'ho fatto volentieri. Being able to help you, I did it happily. Avendo potuto Avendo potuto portare il cane, sono venuta volentieri. Having been able to bring the dog, I came gladly. Essendo potuto/a/i/e Essendo potuta partire prima, ho preso l'aereo delle 15.00. Having been able to leave early, I took the 3 p.m. plane.

The United States Military Intervention Essay - 1091 Words

Today, people, including many I respect, are asking, Vince, why haven t you called for action in Aleppo? My question is the same as it s always been: What, exactly, do leftists want to do in Syria? Do they want a No-Fly Zone? If so, do they understand that such an action is considered an Act of War? Are people willing to deal with those consequences? Do leftwing activists want the U.S. to increase its military presence in Syria? Do they want the U.S. to keep arming so-called rebel forces? Are leftists actually calling for further military intervention in Syria? Am I processing this correctly? Already, over 12 nations have bombed Syria, with horrific results. Are we asking for more bombs, but from different planes? What principles are activists operating under? Remember, the U.S. military, like all military forces in the world, is a force for death and destruction - that s it. The U.S. military is incapable of saving people. The point of the U.S. military is to destroy and kill. Yet, I keep getting emails from people saying, We have to do something! Yes, let s do something. Let s build political movements that can actually oppose the U.S. Empire. Let s cut the U.S. military budget by 90% - and that s just the beginning. Let s stop selling arms to everyone on the planet. Let s stop supporting brutal regimes. Let s stop the drone strikes and the special forces operations in Africa and elsewhere. Let s end the war in Afghanistan. Let s get out ofShow MoreRelatedU.s. Military Intervention During The War Of The United States Essay1995 Words   |  8 Pagesoption is direct military intervention. Current American-led airstrikes have exclusively focused on ISIS, however, the current Russian intervention can provide clues as to whether earlier Amer ican air strikes against Assad would have impacted the conflict. 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Devry Nr 439 Week 4 Research Database Assignment - 1190 Words

DeVry NR 439 Week 4 Research Database Assignment IF You Want To Purcahse A+ Work then Click The Link Below For Instant Down Load http://www.acehomework.net/?download=devry-nr-439-week-4-research-database-assignment IF You Face Any Problem Then E Mail Us At JOHNMATE1122@GMAIL.COM DeVry NR 439 Week 4 Research Database Assignment ASSIGNMENTS Guidelines and Grading Rubric Purpose You are to locate and document research databases that relate to a significant clinical nursing issue of your choice. The research databases may be labeled as such, or may be collections of research studies, reports, articles and/or findings that are not specifically called databases. Please note: Individual journals and journal articles do not meet the†¦show more content†¦This must be in your own words and not copied and pasted from the original source. Include the purpose of the database and the subject matter it covers. This may be four or five sentences; and e. explain how the research found in the database relates to your topic of interest. This may be an additional paragraph, perhaps two or three sentences. 8. Submit to the Research Database basket in the Dropbox by 11:59 p.m. MT Sunday at the end of Week 4. Please post question about this paper in the Q A Forum. Example The following is an example of a description for JBI: Title of source:Joanna Briggs Institute for Evidence-Based Nursing and Midwifery Location of source (URL):www.joannabriggs.edu.au Owner or publisher:Joanna Briggs Institute for Evidence-Based Nursing and Midwifery (JBI) Describe (in your own words) the research database or collection of research including the purpose and the subject matter it covers: The Joanna Briggs Institute is an international not-for-profit Research and Development Organization that provides evidence-based resources for healthcare professionals in nursing, midwifery, medicine, and allied health. Those with membershipare able to obtain evidence-based practice information from systemic reviews, evaluation reports, electronic journals, best-practice information, and consumer healthcare information. Explain how the source relates to your topic of interest: JBI is relevant to my topic of interest because it provides

William Shakespeare s Othello - Appearance And Reality

Never looking beyond what eyes see, humans often trust those who may seem honest and trustworthy. In the play Othello by William Shakespeare, the theme of appearance and reality is central. The relationship between Othello, the protagonist, and Iago, the antagonist, is deceitful, malicious, and troublesome. Iago’s envy of others drives him to destroy the lives of multiple characters by pretending to be their ally. By trusting Iago, Othello s confidence is broken because he realizes he could no longer distinguish reality from lies. At the beginning of the play the protagonist, Othello, is introduce to the readers as a man who differ from other characters because his skin color and his origin. According to the Merriam-Webster dictionary, a†¦show more content†¦Iago was able to use his intellectual and persuasive capacity to make people, such as Roderigo and Cassio, help in his plan of playing with Othello’s mind. Othello was introduced as being a good character but with a terrible tragic flaw; he was known for trusting too much. â€Å"The flaws in Othello’s character worsen his tendency of later on in the play believing what he hears over what he knows† (Mussari par. 2). He decides to trust Iago and believe that his wife, Desdemona, is being unfaithful over his actual knowledge about the event. Iago manipulates Othello by metaphorically poisoning his ear into believing that his wife is having an affair with Cassio. The poison, made of built events and lies, intoxicates Othello’s body and produces in him an effect that does not let him think rationally. One toxic lie that Iago tells Othello is that Cassio has confessed to sleeping with Desdemona, telling that Cassio was â€Å"with her, on her, what you will† (IV, i, 2451). The theme appearance versus reality is noticeable in this event because Othello is making conclusions by just listening to what Iago tells him. Othello relies on appearances producing in him the incapability of distinguish how things look on the surface as opposed to the truth of the matter (Tweg par. 2). An example of the theme of appearance versus reality is when Othello was told by Iago to hide and listen to a

The Twilight Saga 3 Eclipse Chapter 24. SNAP DECISION Free Essays

I LAY FACEDOWN ACROSS THE SLEEPING BAG, WAITING for justice to find me. Maybe an avalanche would bury me here. I wished it would. We will write a custom essay sample on The Twilight Saga 3: Eclipse Chapter 24. SNAP DECISION or any similar topic only for you Order Now I never wanted to have to see my face in the mirror again. There was no sound to warn me. Out of nowhere, Edward’s cold hand stroked against my knotted hair. I shuddered guiltily at his touch. â€Å"Are you all right?† he murmured, his voice anxious. â€Å"No. I want to die.† â€Å"That will never happen. I won’t allow it.† I groaned and then whispered, â€Å"You might change your mind about that.† â€Å"Where’s Jacob?† â€Å"He went to fight,† I mumbled into the floor. Jacob had left the little camp joyfully – with a cheerful â€Å"I’ll be right back† – running full tilt for the clearing, already quivering as he prepared to shift to his other self. By now the whole pack knew everything. Seth Clearwater, pacing outside the tent, was an intimate witness to my disgrace. Edward was silent for a long moment. â€Å"Oh,† he finally said. The tone of his voice worried me that my avalanche wasn’t coming fast enough. I peeked up at him and, sure enough, his eyes were unfocused as he listened to something I’d rather die than have him hear. I dropped my face back to the floor. It stunned me when Edward chuckled reluctantly. â€Å"And I thought I fought dirty,† he said with grudging admiration. â€Å"He makes me look like the patron saint of ethics.† His hand brushed against the part of my cheek that was exposed. â€Å"I’m not mad at you, love. Jacob’s more cunning than I gave him credit for. I do wish you hadn’t asked him, though.† â€Å"Edward,† I whispered to the rough nylon. â€Å"I . . . I . . . I’m -â€Å" â€Å"Shh,† he hushed me, his fingers soothing against my cheek. â€Å"That’s not what I meant. It’s just that he would have kissed you anyway – even if you hadn’t fallen for it – and now I don’t have an excuse to break his face. I would have really enjoyed that, too.† â€Å"Fallen for it?† I mumbled almost incomprehensibly. â€Å"Bella, did you really believe he was that noble? That he would go out in a flame of glory just to clear the way for me?† I raised my head slowly to meet his patient gaze. His expression was soft; his eyes were full of understanding rather than the revulsion I deserved to see. â€Å"Yes, I did believe that,† I muttered, and then looked away. But I didn’t feel any anger at Jacob for tricking me. There wasn’t enough room in my body to contain anything besides the hatred I felt toward myself. Edward laughed softly again. â€Å"You’re such a bad liar, you’ll believe anyone who has the least bit of skill.† â€Å"Why aren’t you angry with me?† I whispered. â€Å"Why don’t you hate me? Or haven’t you heard the whole story yet?† â€Å"I think I got a fairly comprehensive look,† he said in a light, easy voice. â€Å"Jacob makes vivid mental pictures. I feel almost as bad for his pack as I do for myself. Poor Seth was getting nauseated. But Sam is making Jacob focus now.† I closed my eyes and shook my head in agony. The sharp nylon fibers of the tent floor scraped against my skin. â€Å"You’re only human,† he whispered, stroking my hair again. â€Å"That’s the most miserable defense I’ve ever heard.† â€Å"But you are human, Bella. And, as much as I might wish otherwise, so is he. . . . There are holes in your life that I can’t fill. I understand that.† â€Å"But that’s not true. That’s what makes me so horrible. There are no holes.† â€Å"You love him,† he murmured gently. Every cell in my body ached to deny it. â€Å"I love you more,† I said. It was the best I could do. â€Å"Yes, I know that, too. But . . . when I left you, Bella, I left you bleeding. Jacob was the one to stitch you back up again. That was bound to leave its mark – on both of you. I’m not sure those kinds of stitches dissolve on their own. I can’t blame either of you for something I made necessary. I may gain forgiveness, but that doesn’t let me escape the consequences.† â€Å"I should have known you’d find some way to blame yourself. Please stop. I can’t stand it.† â€Å"What would you like me to say?† â€Å"I want you to call me every bad name you can think of, in every language you know. I want you to tell me that you’re disgusted with me and that you’re going to leave so that I can beg and grovel on my knees for you to stay.† â€Å"I’m sorry.† He sighed. â€Å"I can’t do that.† â€Å"At least stop trying to make me feel better. Let me suffer. I deserve it.† â€Å"No,† he murmured. I nodded slowly. â€Å"You’re right. Keep on being too understanding. That’s probably worse.† He was silent for a moment, and I sensed a charge in the atmosphere, a new urgency. â€Å"It’s getting close,† I stated. â€Å"Yes, a few more minutes now. Just enough time to say one more thing. . . .† I waited. When he finally spoke again, he was whispering. â€Å"I can be noble, Bella. I’m not going to make you choose between us. Just be happy, and you can have whatever part of me you want, or none at all, if that’s better. Don’t let any debt you feel you owe me influence your decision.† I pushed off the floor, shoving myself up onto my knees. â€Å"Dammit, stop that!† I shouted at him. His eyes widened in surprise. â€Å"No – you don’t understand. I’m not just trying to make you feel better, Bella, I really mean it.† â€Å"I know you do,† I groaned. â€Å"What happened to fighting back? Don’t start with the noble self-sacrifice now! Fight!† â€Å"How?† he asked, and his eyes were ancient with their sadness. I scrambled into his lap, throwing my arms around him. â€Å"I don’t care that it’s cold here. I don’t care that I stink like a dog right now. Make me forget how awful I am. Make me forget him. Make me forget my own name. Fight back!† I didn’t wait for him to decide – or to have the chance to tell me he wasn’t interested in a cruel, faithless monster like me. I pulled myself against him and crushed my mouth to his snow-cold lips. â€Å"Careful, love,† he murmured under my urgent kiss. â€Å"No,† I growled. He gently pushed my face a few inches back. â€Å"You don’t have to prove anything to me.† â€Å"I’m not trying to prove something. You said I could have any part of you I wanted. I want this part. I want every part.† I wrapped my arms around his neck and strained to reach his lips. He bent his head to kiss me back, but his cool mouth was hesitant as my impatience grew more pronounced. My body was making my intentions clear, giving me away. Inevitably, his hands moved to restrain me. â€Å"Perhaps this isn’t the best moment for that,† he suggested, too calm for my liking. â€Å"Why not?† I grumbled. There was no point in fighting if he was going to be rational; I dropped my arms. â€Å"Firstly, because it is cold.† He reached out to pull the sleeping bag off the floor; he wrapped it around me like a blanket. â€Å"Wrong,† I said. â€Å"First, because you are bizarrely moral for a vampire.† He chuckled. â€Å"All right, I’ll give you that. The cold is second. And thirdly . . . well, you do actually stink, love.† He wrinkled his nose. I sighed. â€Å"Fourthly,† he murmured, dropping his face so that he was whispering in my ear. â€Å"We will try, Bella. I’ll make good on my promise. But I’d much rather it wasn’t in reaction to Jacob Black.† I cringed, and buried my face against his shoulder. â€Å"And fifthly . . .† â€Å"This is a very long list,† I muttered. He laughed. â€Å"Yes, but did you want to listen to the fight or not?† As he spoke, Seth howled stridently outside the tent. My body stiffened to the sound. I didn’t realize my left hand was clenched into a fist, nails biting into my bandaged palm, until Edward took it and gently smoothed my fingers out. â€Å"It’s going to be fine, Bella,† he promised. â€Å"We’ve got skill, training, and surprise on our side. It will be over very soon. If I didn’t truly believe that, I would be down there now – and you’d be here, chained to a tree or something along those lines.† â€Å"Alice is so small,† I moaned. He chuckled. â€Å"That might be a problem . . . if it were possible for someone to catch her.† Seth started to whimper. â€Å"What’s wrong?† I demanded. â€Å"He’s just angry that he’s stuck here with us. He knows the pack kept him out of the action to protect him. He’s salivating to join them.† I scowled in Seth’s general direction. â€Å"The newborns have reached the end of the trail – it worked like a charm, Jasper’s a genius – and they’ve caught the scent of the ones in the meadow, so they’re splitting into two groups now, as Alice said,† Edward murmured, his eyes focused on something far away. â€Å"Sam’s taking us around to head off the ambush party.† He was so intent on what he was hearing that he used the pack plural. Suddenly he looked down at me. â€Å"Breathe, Bella.† I struggled to do what he asked. I could hear Seth’s heavy panting just outside the tent wall, and I tried to keep my lungs on the same even pace, so that I wouldn’t hyperventilate. â€Å"The first group is in the clearing. We can hear the fighting.† My teeth locked together. He laughed once. â€Å"We can hear Emmett – he’s enjoying himself.† I made myself take another breath with Seth. â€Å"The second group is getting ready – they aren’t paying attention, they haven’t heard us yet.† Edward growled. â€Å"What?† I gasped. â€Å"They’re talking about you.† His teeth clenched together. â€Å"They’re supposed to make sure you don’t escape. . . . Nice move, Leah! Mmm, she’s quite fast,† he murmured in approval. â€Å"One of the newborns caught our scent, and Leah took him down before he could even turn. Sam’s helping her finish him off. Paul and Jacob got another one, but the others are on the defensive now. They have no idea what to make of us. Both sides are feinting. . . . No, let Sam lead. Stay out of the way,† he muttered. â€Å"Separate them – don’t let them protect each other’s backs.† Seth whined. â€Å"That’s better, drive them toward the clearing,† Edward approved. His body was shifting unconsciously as he watched, tensing for moves he would have made. His hands still held mine; I twisted my fingers through his. At least he wasn’t down there. The sudden absence of sound was the only warning. The deep rush of Seth’s breathing cut off, and – as I’d paced my breaths with his – I noticed. I stopped breathing, too – too frightened to even make mylungs work as I realized that Edward had frozen into a block of ice beside me. Oh, no. No. No. Who had been lost? Theirs or ours? Mine, all mine. What was my loss? So quickly that I wasn’t exactly sure how it happened, I was on my feet and the tent was collapsing in ragged shreds around me. Had Edward ripped our way out? Why? I blinked, shocked, into the brilliant light. Seth was all I could see, right beside us, his face only six inches from Edward’s. They stared at each other with absolute concentration for one infinite second. The sun shattered off Edward’s skin and sent sparkles dancing across Seth’s fur. And then Edward whispered urgently, â€Å"Go, Seth!† The huge wolf wheeled and disappeared into the forest shadows. Had two entire seconds passed? It felt like hours. I was terrified to the point of nausea by the knowledge that something horrible had gone awry in the clearing. I opened my mouth to demand that Edward take me there, and do it now. They needed him, and they needed me. If I had to bleed to save them, I would do it. I would die to do it, like the third wife. I had no silver dagger in my hand, but I would find a way – Before I could get the first syllable out, I felt as if I was being flung through the air. But Edward’s hands never let go of me – I was only being moved, so quickly that the sensation was like falling sideways. I found myself with my back pressed against the sheer cliff face. Edward stood in front of me, holding a posture that I knew at once. Relief washed through my mind at the same time that my stomach dropped through the soles of my feet. I’d misunderstood. Relief – nothing had gone wrong in the clearing. Horror – the crisis was here. Edward held a defensive position – half-crouched, his arms extended slightly – that I recognized with sickening certainty. The rock at my back could have been the ancient brick walls of the Italian alley where he had stood between me and the black-cloaked Volturi warriors. Something was coming for us. â€Å"Who?† I whispered. The words came through his teeth in a snarl that was louder than I expected. Too loud. It meant that it was far too late to hide. We were trapped, and it didn’t matter who heard his answer. â€Å"Victoria,† he said, spitting the word, making it a curse. â€Å"She’s not alone. She crossed my scent, following the newborns in to watch – she never meant to fight with them. She made a spur-of-the-moment decision to find me, guessing that you would be wherever I was. She was right. You were right. It was always Victoria.† She was close enough that he could hear her thoughts. Relief again. If it had been the Volturi, we were both dead. But with Victoria, it didn’t have to be both. Edward could survive this. He was a good fighter, as good as Jasper. If she didn’t bring too many others, he could fight his way out, back to his family. Edward was faster than anyone. He could make it. I was so glad he’d sent Seth away. Of course, there was no one Seth could run to for help. Victoria had timed her decision perfectly. But at least Seth was safe; I couldn’t see the huge sandy wolf in my head when I thought his name – just the gangly fifteen-year-old boy. Edward’s body shifted – only infinitesimally, but it told me where to look. I stared at the black shadows of the forest. It was like having my nightmares walk forward to greet me. Two vampires edged slowly into the small opening of our camp, eyes intent, missing nothing. They glistened like diamonds in the sun. I could barely look at the blond boy – yes, he was just a boy, though he was muscular and tall, maybe my age when he was changed. His eyes – a more vivid red than I had ever seen before – could not hold mine. Though he was closest to Edward, the nearest danger, I could not watch him. Because, a few feet to the side and a few feet back, Victoria was staring at me. Her orange hair was brighter than I’d remembered, more like a flame. There was no wind here, but the fire around her face seemed to shimmer slightly, as if it were alive. Her eyes were black with thirst. She did not smile, as she always had in my nightmares – her lips were pressed into a tight line. There was a striking feline quality to the way she held her coiled body, a lioness waiting for an opening to spring. Her restless, wild gaze flickered between Edward and me, but never rested on him for more than a half-second. She could not keep her eyes from my face any more than I could keep mine from hers. Tension rolled off of her, nearly visible in the air. I could feel the desire, the all-consuming passion that held her in its grip. Almost as if I could hear her thoughts, too, I knew what she was thinking. She was so close to what she wanted – the focus of her whole existence for more than a year now was just so close. My death. Her plan was as obvious as it was practical. The big blond boy would attack Edward. As soon as Edward was sufficiently distracted, Victoria would finish me. It would be quick – she had no time for games here – but it would be thorough. Something that it would be impossible to recover from. Something that even vampire venom could not repair. She’d have to stop my heart. Perhaps a hand shoved through my chest, crushing it. Something along those lines. My heart beat furiously, loudly, as if to make her target more obvious. An immense distance away, from far across the black forest, a wolf’s howl echoed in the still air. With Seth gone, there was no way to interpret the sound. The blond boy looked at Victoria from the corner of his eye, waiting on her command. He was young in more ways than one. I guessed from his brilliant crimson irises that he couldn’t have been a vampire for very long. He would be strong, but inept. Edward would know how to fight him. Edward would survive. Victoria jerked her chin toward Edward, wordlessly ordering the boy forward. â€Å"Riley,† Edward said in a soft, pleading voice. The blond boy froze, his red eyes widening. â€Å"She’s lying to you, Riley,† Edward told him. â€Å"Listen to me. She’s lying to you just like she lied to the others who are dying now in the clearing. You know that she’s lied to them, that she had you lie to them, that neither of you were ever going to help them. Is it so hard to believe that she’s lied to you, too?† Confusion swept across Riley’s face. Edward shifted a few inches to the side, and Riley automatically compensated with an adjustment of his own. â€Å"She doesn’t love you, Riley.† Edward’s soft voice was compelling, almost hypnotic. â€Å"She never has. She loved someone named James, and you’re no more than a tool to her.† When he said James’s name, Victoria’s lips pulled back in a teeth-baring grimace. Her eyes stayed locked on me. Riley cast a frantic glance in her direction. â€Å"Riley?† Edward said. Riley automatically refocused on Edward. â€Å"She knows that I will kill you, Riley. She wants you to die so that she doesn’t have to keep up the pretense anymore. Yes – you’ve seen that, haven’t you? You’ve read the reluctance in her eyes, suspected a false note in her promises. You were right. She’s never wanted you. Every kiss, every touch was a lie.† Edward moved again, moved a few inches toward the boy, a few inches away from me. Victoria’s gaze zeroed in on the gap between us. It would take her less than a second to kill me – she only needed the tiniest margin of opportunity. Slower this time, Riley repositioned himself. â€Å"You don’t have to die,† Edward promised, his eyes holding the boy’s. â€Å"There are other ways to live than the way she’s shown you. It’s not all lies and blood, Riley. You can walk away right now. You don’t have to die for her lies.† Edward slid his feet forward and to the side. There was a foot of space between us now. Riley circled too far, overcompensating this time. Victoria leaned forward onto the balls of her feet. â€Å"Last chance, Riley,† Edward whispered. Riley’s face was desperate as he looked to Victoria for answers. â€Å"He’s the liar, Riley,† Victoria said, and my mouth fell open in shock at the sound of her voice. â€Å"I told you about their mind tricks. You know I love only you.† Her voice was not the strong, wild, catlike growl I would have put with her face and stance. It was soft, it was high – a babyish, soprano tinkling. The kind of voice that went with blond curls and pink bubble gum. It made no sense coming through her bared, glistening teeth. Riley’s jaw tightened, and he squared his shoulders. His eyes emptied – there was no more confusion, no more suspicion. There was no thought at all. He tensed himself to attack. Victoria’s body seemed to be trembling, she was so tightly wound. Her fingers were ready claws, waiting for Edward to move just one more inch away from me. The snarl came from none of them. A mammoth tan shape flew through the center of the opening, throwing Riley to the ground. â€Å"No!† Victoria cried, her baby voice shrill with disbelief. A yard and a half in front of me, the huge wolf ripped and tore at the blond vampire beneath him. Something white and hard smacked into the rocks by my feet. I cringed away from it. Victoria did not spare one glance for the boy she’d just pledged her love to. Her eyes were still on me, filled with a disappointment so ferocious that she looked deranged. â€Å"No,† she said again, through her teeth, as Edward started to move toward her, blocking her path to me. Riley was on his feet again, looking misshapen and haggard, but he was able to fling a vicious kick into Seth’s shoulder. I heard the bone crunch. Seth backed off and started to circle, limping. Riley had his arms out, ready, though he seemed to be missing part of one hand. . . . Only a few yards away from that fight, Edward and Victoria were dancing. Not quite circling, because Edward was not allowing her to position herself closer to me. She sashayed back, moving from side to side, trying to find a hole in his defense. He shadowed her footwork lithely, stalking her with perfect concentration. He began to move just a fraction of a second before she moved, reading her intentions in her thoughts. Seth lunged at Riley from the side, and something tore with a hideous, grating screech. Another heavy white chunk flew into the forest with a thud. Riley roared in fury, and Seth skipped back – amazingly light on his feet for his size – as Riley took a swipe at him with one mangled hand. Victoria was weaving through the tree trunks at the far end of the little opening now. She was torn, her feet pulling her toward safety while her eyes yearned toward me as if I were a magnet, reeling her in. I could see the burning desire to kill warring with her survival instinct. Edward could see that, too. â€Å"Don’t go, Victoria,† he murmured in that same hypnotic tone as before. â€Å"You’ll never get another chance like this.† She showed her teeth and hissed at him, but she seemed unable to move farther away from me. â€Å"You can always run later,† Edward purred. â€Å"Plenty of time for that. It’s what you do, isn’t it? It’s why James kept you around. Useful, if you like to play deadly games. A partner with an uncanny instinct for escaping. He shouldn’t have left you – he could have used your skills when we caught up to him in Phoenix.† A snarl ripped from between her lips. â€Å"That’s all you ever were to him, though. Silly to waste so much energy avenging someone who had less affection for you than a hunter for his mount. You were never more than a convenience to him. I would know.† Edward’s lips pulled up on one side as he tapped his temple. With a strangled screech, Victoria darted out of the trees again, feinting to the side. Edward responded, and the dance began again. Just then, Riley’s fist caught Seth’s flank, and a low yelp coughed out of Seth’s throat. Seth backed away, his shoulders twitching as if he were trying to shake off the pain. Please, I wanted to plead with Riley, but I couldn’t find the muscles to make my mouth open, to pull the air up from my lungs. Please, he’s just a child! Why hadn’t Seth run away? Why didn’t he run now? Riley was closing the distance between them again, driving Seth toward the cliff face beside me. Victoria was suddenly interested in her partner’s fate. I could see her, from the corner of her eyes, judge the distance between Riley and me. Seth snapped at Riley, forcing him back again, and Victoria hissed. Seth wasn’t limping anymore. His circling took him within inches of Edward; his tail brushed Edward’s back, and Victoria’s eyes bulged. â€Å"No, he won’t turn on me,† Edward said, answering the question in Victoria’s head. He used her distraction to slide closer. â€Å"You provided us with a common enemy. You allied us.† She clenched her teeth, trying to keep her focus on Edward alone. â€Å"Look more closely, Victoria,† he murmured, pulling at the threads of her concentration. â€Å"Is he really so much like the monster James tracked across Siberia?† Her eyes popped wide open, and then began flickering wildly from Edward to Seth to me, around and around. â€Å"Not the same?† she snarled in her little girl’s soprano. â€Å"Impossible!† â€Å"Nothing is impossible,† Edward murmured, voice velvet soft as he moved another inch closer to her. â€Å"Except what you want. You’ll never touch her.† She shook her head, fast and jerky, fighting his diversions, and tried to duck around him, but he was in place to block her as soon as she’d thought of the plan. Her face contorted in frustration, and then she shifted lower into her crouch, a lioness again, and stalked deliberately forward. Victoria was no inexperienced, instinct-driven newborn. She was lethal. Even I could tell the difference between her and Riley, and I knew that Seth wouldn’t have lasted so long if he’d been fighting this vampire. Edward shifted, too, as they closed on each other, and it was lion versus lioness. The dance increased in tempo. It was like Alice and Jasper in the meadow, a blurred spiraling of movement, only this dance was not as perfectly choreographed. Sharp crunches and crackings reverberated off the cliff face whenever someone slipped in their formation. But they were moving too fast for me to see who was making the mistakes. . . . Riley was distracted by the violent ballet, his eyes anxious for his partner. Seth struck, crunching off another small piece of the vampire. Riley bellowed and launched a massive backhanded blow that caught Seth full in his broad chest. Seth’s huge body soared ten feet and crashed into the rocky wall over my head with a force that seemed to shake the whole peak. I heard the breath whoosh from his lungs, and I ducked out of the way as he rebounded off the stone and collapsed on the ground a few feet in front of me. A low whimper escaped through Seth’s teeth. Sharp fragments of gray stone showered down on my head, scratching my exposed skin. A jagged spike of rock rolled down my right arm and I caught it reflexively. My fingers clenched around the long shard as my own survival instincts kicked in; since there was no chance of flight, my body – not caring how ineffectual the gesture was – prepared for a fight. Adrenaline jolted through my veins. I knew the brace was cutting into my palm. I knew the crack in my knuckle was protesting. I knew it, but I could not feel the pain. Behind Riley, all I could see was the twisting flame of Victoria’s hair and a blur of white. The increasingly frequent metallic snaps and tears, the gasps and shocked hissings, made it clear that the dance was turning deadly for someone. But which someone? Riley lurched toward me, his red eyes brilliant with fury. He glared at the limp mountain of sand-colored fur between us, and his hands – mangled, broken hands – curled into talons. His mouth opened, widened, his teeth glistening, as he prepared to rip out Seth’s throat. A second kick of adrenaline hit like an electric shock, and everything was suddenly very clear. Both fights were too close. Seth was about to lose his, and I had no idea if Edward was winning or losing. They needed help. A distraction. Something to give them an edge. My hand gripped the stone spike so tightly that a support in the brace snapped. Was I strong enough? Was I brave enough? How hard could I shove the rough stone into my body? Would this buy Seth enough time to get back on his feet? Would he heal fast enough for my sacrifice to do him any good? I raked the point of the shard up my arm, yanking my thick sweater back to expose the skin, and then pressed the sharp tip to the crease at my elbow. I already had a long scar there from my last birthday. That night, my flowing blood had been enough to catch every vampire’s attention, to freeze them all in place for an instant. I prayed it would work that way again. I steeled myself and sucked in one deep breath. Victoria was distracted by the sound of my gasp. Her eyes, holding still for one tiny portion of a second, met mine. Fury and curiosity mingled strangely in her expression. I wasn’t sure how I heard the low sound with all the other noises echoing off the stone wall and hammering inside my head. My own heartbeat should have been enough to drown it out. But, in the split second that I stared into Victoria’s eyes, I thought I heard a familiar, exasperated sigh. In that same short second, the dance broke violently apart. It happened so quickly that it was over before I could follow the sequence of events. I tried to catch up in my head. Victoria had flown out of the blurred formation and smashed into a tall spruce about halfway up the tree. She dropped back to the earth already crouched to spring. Simultaneously, Edward – all but invisible with speed – had twisted backward and caught the unsuspecting Riley by the arm. It had looked like Edward planted his foot against Riley’s back, and heaved – The little campsite was filled with Riley’s piercing shriek of agony. At the same time, Seth leaped to his feet, cutting off most of my view. But I could still see Victoria. And, though she looked oddly deformed – as if she were unable to straighten up completely – I could see the smile I’d been dreaming of flash across her wild face. She coiled and sprang. Something small and white whistled through the air and collided with her mid-flight. The impact sounded like an explosion, and it threw her against another tree – this one snapped in half. She landed on her feet again, crouched and ready, but Edward was already in place. Relief swelled in my heart when I saw that he stood straight and perfect. Victoria kicked something aside with a flick of her bare foot – the missile that had crippled her attack. It rolled toward me, and I realized what it was. My stomach lurched. The fingers were still twitching; grasping at blades of grass, Riley’s arm began to drag itself mindlessly across the ground. Seth was circling Riley again, and now Riley was retreating. He backed away from the advancing werewolf, his face rigid with pain. He raised his one arm defensively. Seth rushed Riley, and the vampire was clearly off-balance. I saw Seth sink his teeth into Riley’s shoulder and tear, jumping back again. With an earsplitting metallic screech, Riley lost his other arm. Seth shook his head, flinging the arm into the woods. The broken hissing noise that came through Seth’s teeth sounded like snickering. Riley screamed out a tortured plea. â€Å"Victoria!† Victoria did not even flinch to the sound of her name. Her eyes did not flicker once toward her partner. Seth launched himself forward with the force of a wrecking ball. The thrust carried both Seth and Riley into the trees, where the metallic screeching was matched by Riley’s screams. Screams that abruptly cut off, while the sounds of rock being ripped to shreds continued. Though she spared Riley no farewell glance, Victoria seemed to realize that she was on her own. She began to back away from Edward, frenzied disappointment blazing in her eyes. She threw me one short, agonized stare of longing, and then she started to retreat faster. â€Å"No,† Edward crooned, his voice seductive. â€Å"Stay just a little longer.† She wheeled and flew toward the refuge of the forest like an arrow from a bow. But Edward was faster – a bullet from a gun. He caught her unprotected back at the edge of the trees and, with one last, simple step, the dance was over. Edward’s mouth brushed once across her neck, like a caress. The squealing clamor coming from Seth’s efforts covered every other noise, so there was no discernible sound to make the image one of violence. He could have been kissing her. And then the fiery tangle of hair was no longer connected to the rest of her body. The shivering orange waves fell to the ground, and bounced once before rolling toward the trees. How to cite The Twilight Saga 3: Eclipse Chapter 24. SNAP DECISION, Essay examples